<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>Biennale de Lubumbashi</provider_name><provider_url>https://2019.biennaledelubumbashi.com/en</provider_url><author_name>lissa</author_name><author_url>https://2019.biennaledelubumbashi.com/en/author/lissa</author_url><title>David Shongo - Biennale de Lubumbashi</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="lILmS8DhlK"&gt;&lt;a href="https://2019.biennaledelubumbashi.com/en/people/david-shongo"&gt;David Shongo&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://2019.biennaledelubumbashi.com/en/people/david-shongo/embed#?secret=lILmS8DhlK" width="600" height="338" title="&#x201C;David Shongo&#x201D; &#x2014; Biennale de Lubumbashi" data-secret="lILmS8DhlK" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/*! This file is auto-generated */
!function(d,l){"use strict";var e=!1,o=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!/[^a-zA-Z0-9]/.test(t.secret)){for(var r,a,i,s=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),c=0;c&lt;n.length;c++)n[c].style.display="none";for(c=0;c&lt;s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(i=parseInt(t.value,10)))i=1e3;else if(~~i&lt;200)i=200;r.height=i}if("link"===t.message)if(a=l.createElement("a"),i=l.createElement("a"),a.href=r.getAttribute("src"),i.href=t.value,o.test(i.protocol))if(i.host===a.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",t,!1),d.addEventListener("load",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf("MSIE 10"),i=!!navigator.userAgent.match(/Trident.*rv:11\./),s=l.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;s.length;n++){if(!(r=(t=s[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><thumbnail_url>https://2019.biennaledelubumbashi.com/wp-content/uploads/2019/08/David-Songo-Photo-Portrait-credit-_-Alain-Nsenga-copy-1-e1566161729725.jpg</thumbnail_url><thumbnail_width>500</thumbnail_width><thumbnail_height>551</thumbnail_height><description>Blackout Poetry David Shongo (Democratic Republic of Congo) 2019 Blackout Poetry proposes a deconstruction of the triangular relationship between hunting, economics and colonization, by reinterpreting ethnographic photographs taken in Congo in the 1930s by the German art historian Hans Himmelheber. David Shongo recaptured these images with colonial hints to question the current socio-political dynamics in [&hellip;]</description></oembed>
