{"version":"1.0","provider_name":"Biennale de Lubumbashi","provider_url":"https:\/\/2019.biennaledelubumbashi.com\/en","author_name":"lissa","author_url":"https:\/\/2019.biennaledelubumbashi.com\/en\/author\/lissa","title":"Guy Wouet\u00e9 - Biennale de Lubumbashi","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"XsvHnd5uV1\"><a href=\"https:\/\/2019.biennaledelubumbashi.com\/en\/people\/711\">Guy Wouet\u00e9<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/2019.biennaledelubumbashi.com\/en\/people\/711\/embed#?secret=XsvHnd5uV1\" width=\"600\" height=\"338\" title=\"&#8220;Guy Wouet\u00e9&#8221; &#8212; Biennale de Lubumbashi\" data-secret=\"XsvHnd5uV1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,a,i,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if(\"link\"===t.message)if(a=l.createElement(\"a\"),i=l.createElement(\"a\"),a.href=r.getAttribute(\"src\"),i.href=t.value,o.test(i.protocol))if(i.host===a.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),s=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<s.length;n++){if(!(r=(t=s[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/2019.biennaledelubumbashi.com\/wp-content\/uploads\/2019\/06\/wouete\u0301-e1561476618236.jpg","thumbnail_width":493,"thumbnail_height":577,"description":"Le Fou Postcolonial Insane Guy Wouet\u00e9 (Belgium \/ Cameroon) 2019 DRC, land of youth for some, cemetery of dreams for others. An antinomic phenomenon that according to Guy Wouet\u00e9, makes crazy. But what does madness mean in the postcolonial context of Africa today? Without clinical care, abandoned to their fate, executioners and victims of their [&hellip;]"}