{"version":"1.0","provider_name":"Biennale de Lubumbashi","provider_url":"https:\/\/2019.biennaledelubumbashi.com\/en","author_name":"lissa","author_url":"https:\/\/2019.biennaledelubumbashi.com\/en\/author\/lissa","title":"Alain Nsenga - Biennale de Lubumbashi","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"LAVLLqFrlg\"><a href=\"https:\/\/2019.biennaledelubumbashi.com\/en\/people\/alain-nsenga\">Alain Nsenga<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/2019.biennaledelubumbashi.com\/en\/people\/alain-nsenga\/embed#?secret=LAVLLqFrlg\" width=\"600\" height=\"338\" title=\"&#8220;Alain Nsenga&#8221; &#8212; Biennale de Lubumbashi\" data-secret=\"LAVLLqFrlg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,a,i,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if(\"link\"===t.message)if(a=l.createElement(\"a\"),i=l.createElement(\"a\"),a.href=r.getAttribute(\"src\"),i.href=t.value,o.test(i.protocol))if(i.host===a.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),s=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<s.length;n++){if(!(r=(t=s[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/2019.biennaledelubumbashi.com\/wp-content\/uploads\/2019\/06\/Alain-Nsenga-cre\u0301dit-photo-_-Raphael-Kalume-2-e1561475174394.jpg","thumbnail_width":5011,"thumbnail_height":3702,"description":"M\u00e9tamorphose, 2019, Alain Nsenga (Democratic Republic of Congo) Through his series of photographs M\u00e9tamorphose, Alain Nsenga questions and challenges certain aesthetic canons imposed in the public space, to which is subjected or submits a part of the female population of Lubumbashi. In R\u00e9flexions, the artist is interested in the many billboards about cosmetics articles made [&hellip;]"}