{"version":"1.0","provider_name":"Biennale de Lubumbashi","provider_url":"https:\/\/2019.biennaledelubumbashi.com\/en","author_name":"lissa","author_url":"https:\/\/2019.biennaledelubumbashi.com\/en\/author\/lissa","title":"Do Nsoseme Dora - Biennale de Lubumbashi","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YX2GFNlMcT\"><a href=\"https:\/\/2019.biennaledelubumbashi.com\/en\/people\/do-nsoseme-dora\">Do Nsoseme Dora<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/2019.biennaledelubumbashi.com\/en\/people\/do-nsoseme-dora\/embed#?secret=YX2GFNlMcT\" width=\"600\" height=\"338\" title=\"&#8220;Do Nsoseme Dora&#8221; &#8212; Biennale de Lubumbashi\" data-secret=\"YX2GFNlMcT\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,a,i,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if(\"link\"===t.message)if(a=l.createElement(\"a\"),i=l.createElement(\"a\"),a.href=r.getAttribute(\"src\"),i.href=t.value,o.test(i.protocol))if(i.host===a.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),s=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<s.length;n++){if(!(r=(t=s[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/2019.biennaledelubumbashi.com\/wp-content\/uploads\/2019\/06\/DiJx6vfVQAU6T7A-e1561317979788.jpg","thumbnail_width":500,"thumbnail_height":291,"description":"Grand Pr\u00eatre M\u00e8re Do Nsoseme Dora (Democratic Republic of Congo) 2018 Through the photographic series Grand Pr\u00eatre M\u00e8re (Grand Priest Mother), Do Nsoseme Dora questions the ideological, cultural and consecrated value of clothes, imagining a society in 2050 freed from the dress sashes. Her thinking focuses more specifically on questioning the feminine identity and the [&hellip;]"}