{"version":"1.0","provider_name":"Biennale de Lubumbashi","provider_url":"https:\/\/2019.biennaledelubumbashi.com\/en","author_name":"lissa","author_url":"https:\/\/2019.biennaledelubumbashi.com\/en\/author\/lissa","title":"Hadassa Ngamba - Biennale de Lubumbashi","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"okb8bxWp21\"><a href=\"https:\/\/2019.biennaledelubumbashi.com\/en\/people\/hadassa-ngamba\">Hadassa Ngamba<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/2019.biennaledelubumbashi.com\/en\/people\/hadassa-ngamba\/embed#?secret=okb8bxWp21\" width=\"600\" height=\"338\" title=\"&#8220;Hadassa Ngamba&#8221; &#8212; Biennale de Lubumbashi\" data-secret=\"okb8bxWp21\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,a,i,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if(\"link\"===t.message)if(a=l.createElement(\"a\"),i=l.createElement(\"a\"),a.href=r.getAttribute(\"src\"),i.href=t.value,o.test(i.protocol))if(i.host===a.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),s=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<s.length;n++){if(!(r=(t=s[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/2019.biennaledelubumbashi.com\/wp-content\/uploads\/2019\/06\/Hadassa-Ngamba-Credit-photo-portrait-_-Musa-Musa-e1561400104141.jpg","thumbnail_width":500,"thumbnail_height":595,"description":"Configurations Hadassa Ngamba (Democratic Republic of Congo) 2019 Configurations is a research project that Hadassa Ngamba initiated through the analysis of the cartography of Congo, perceived as the result of the colonial conquests of lithospheric lands and plates in Central Africa. Cartography is thus envisaged as a metaphor for dissecting Congolese configurations invented and standardized [&hellip;]"}