{"version":"1.0","provider_name":"Biennale de Lubumbashi","provider_url":"https:\/\/2019.biennaledelubumbashi.com\/en","author_name":"lissa","author_url":"https:\/\/2019.biennaledelubumbashi.com\/en\/author\/lissa","title":"Th\u00e9\u00e2tre urbain - Biennale de Lubumbashi","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"6GE9n4Zutg\"><a href=\"https:\/\/2019.biennaledelubumbashi.com\/en\/people\/theatre-urbain\">Th\u00e9\u00e2tre urbain<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/2019.biennaledelubumbashi.com\/en\/people\/theatre-urbain\/embed#?secret=6GE9n4Zutg\" width=\"600\" height=\"338\" title=\"&#8220;Th\u00e9\u00e2tre urbain&#8221; &#8212; Biennale de Lubumbashi\" data-secret=\"6GE9n4Zutg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,a,i,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if(\"link\"===t.message)if(a=l.createElement(\"a\"),i=l.createElement(\"a\"),a.href=r.getAttribute(\"src\"),i.href=t.value,o.test(i.protocol))if(i.host===a.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),s=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<s.length;n++){if(!(r=(t=s[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/2019.biennaledelubumbashi.com\/wp-content\/uploads\/2019\/10\/The\u0301atre-Urbain2-e1569956856531.jpg","thumbnail_width":800,"thumbnail_height":484,"description":"Th\u00e9\u00e2tre urbain by Bob Nelson Makengo (DRC, 2017, 12 min.) In her next film, Barbie would like to wear the belt that Kimpa Vita wore when she was burned in 1706. She travels to Kinshasa to get one. There, she rediscovers the story of Kimpa Vita, the Kongo Empire prophet that many have called the [&hellip;]"}